This unique book aims to provide the first extended account of the intellectual history of aesthetic discourse among British and American evangelicals from the awakening of a modern aesthetic consciousness in the eighteenth century to the fundamentalist-modernist controversy of the early twentieth century. Drawing on an extensive but largely forgotten body of periodical source materials, it seeks to map the evangelical aesthetic tradition's intellectual terrain, to highlight its connections to other philosophical discourses, and to assess some of its theological implications. In doing so, it challenges the still prevalent stereotype of evangelicalism as aesthetically 'impoverished' and devoid of serious reflection on the arts, offering instead a narrative sensitive to the historical complexities of evangelical approaches to aesthetic theory and criticism.