Bookmark this item

Our Mission

Equipping you for life's journey with Jesus:

Now a team of 60 – we've been serving the Church since 2004
Together we've raised over £1,000,000 for UK Christian charities
25,000 churches are using the Eden Plus account

An Eden team member standing among warehouse book shelves

Noah as Antihero: Darren Aronofsky�s Cinematic Deluge

Name: Noah as Antihero: Darren Aronofsky�s Cinematic Deluge
Price: 55.04 GBP
Availability: InStock
Author: Rhonda Burnette-Bletsch
ISBN: 9780367878122

by Rhonda Burnette-Bletsch, Jon Morgan

Paperback
224 pages
Publisher: Routledge
15.3 x 22.9 x 1.3 cm

Today‘s price£55.04

Free UK Delivery

Available - Usually dispatched within 4 days

Buying for a Church or School? Get 10% off every order and Buy Now Pay Later

An Eden warehouse team member picking orders in Chester

Every order is picked and packed with care by our warehouse team in Chester

Bookmark this item

Our Mission

Equipping you for life's journey with Jesus:

Now a team of 60 – we've been serving the Church since 2004
Together we've raised over £1,000,000 for UK Christian charities
25,000 churches are using the Eden Plus account

Free delivery on orders over £10

This collection of essays by biblical scholars is the first book-length treatment of the 2014 film Noah, directed by Darren Aronofsky. The film has proved to be of great interest to scholars working on the interface between the Bible and popular culture, not only because it was heralded as the first of a new generation of biblical blockbusters, but also because of its bold, provocative, and yet unusually nuanced approach to the interpretation and use of the Noah tradition, in both its biblical and extra-biblical forms. The book's chapters, written by both well-established and up-and-coming scholars, engage with and analyze a broad range of issues raised by the film, including: its employment and interpretation of the ancient Noah traditions; its engagement with contemporary environmental themes and representation of non-human animals; its place within the history of cinematic depictions of the flood, status as an 'epic', and associated relationship to spectacle; the theological implications of its representation of a hidden and silent Creator and responses to perceived revelation; the controversies surrounding its reception among religious audiences, especially in the Muslim world; and the nature and implications of its convoluted racial and gender politics. Noah as Antihero will be of considerable interest to scholars conducting research in the areas of religion and film, contemporary hermeneutics, reception history, religion and popular culture, feminist criticism, and ecological ethics.