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Les Ellison
Launched on 1 October 1961, the BBC’s experimental programme of hymns and church singing was due to run for just 6 weeks. 50 years on from those first experimental broadcasts, the nation celebrates the world’s longest running religious TV broadcast.
50 years on from those first experimental broadcasts, the nation celebrates the world’s longest running religious TV broadcast. Each edition of the 2248 broadcasts of music and inspirational interviews is the Sunday evening highlight for lovers of congregational singing, many unable to reach a place of worship.
Songs of Praise celebrated 50 years of broadcasting history in October 2011 with almost 7000 voices and the nation’s best loved congregational gems. The capacity congregation packed the historic Alexandra Palace to rejoice in 50 years of singing praise.
The long lived Sunday religious broadcast continues to bring the best in congregational and choral singing together with stories of faith amid hardship, quiet resilience and sacrificial dedication into homes of viewers nationwide.
Now the past, present and future of this landmark TV programme is the subject of a colourful, informative and inspirational coffee-table quality book. Like the series, and the accompanying celebratory CD, the book represents 50 years investment by churches across the UK and beyond.
Acknowledged in the book’s preface, Songs of Praise is all about the 1800 congregations and their 12,500 songs of the last 50 years. Though the content and format has changed over the years, the essential element remains the same; the joyous experience of Christians singing together.
The high production values of 'Songs of Praise: celebrating 50 years' give you a gallery of fascinating archive photographs from the early days of television, and captivating images from the hundreds of scenes and locations visited in more recent broadcasts.
This is a book for the many whose love of Songs of Praise goes beyond the panning shots of enthusiastic singers. Inside the covers are on-location shots from recordings as diverse as beneath the wings of a Lancaster Bomber in RAF Scampton to filming on the Rio Grande.
Memories are revived with pages from the 1961 Radio Times and emotions stirred with archive pictures from the Aberfan coal tip disaster of 1966. The pictures are a reminder that Songs of Praise were sung through all those years to God present, if not always appreciated in all those events.
Trevor Barnes’ book is not simply a nostalgic picture book. It’s a biography of a much loved national treasure and an account of the devotion and behind the scenes effort that brought Songs of Praise an audience that peaked in 1984 with over 11 million viewers.
There is much to celebrate in the achievement of Songs of Praise, but the book doesn’t set out to simply praise the programme’s survival. There is an honest appraisal of what Songs of Praise sets out to do and the challenges that face it now and will in the future.
In modern consumer driven broadcasting, no programme has a right to longevity. The book gives an essential insight into the workings of a programme, so simple in its concept and discusses how Songs of Praise can best conitunue to serve the nation for another 50 years.
In the early years, Sunday’s Songs of Praise was often broadcast live from near football grounds where the cameras had been used to film football matches the Saturday before.
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