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A Natural Theology of the Arts

Imprint of the Spirit

  • Hardback
  • 209 pages
  • Publisher: Ashgate Publishing Group
  • 15.6 x 23.4 x 2.3 cm

£164.79

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This volume contends that the arts are theological by their very nature and not simply when they are explicitly religious - thereby constituting a distinctive kind of "natural theology". Borrowing from science the stance of "critical realism" to justify truth claims in art and theology, it argues that works of art are complex metaphors that convey the "real presence" of God, even when not labelled as such. Citing numerous examples from literature, painting and music - including Shakespeare's "King Lear", Vermeer's "Young Woman with a Water Jug", Rembrandt's "Return of the Prodigal Son", and Stephen Cleobury's experiences performing Bach's "St Matthew Passion" and Britten's "Rejoice in the Lamb" - the author concludes that works of art anticipate the new creation, thereby suggesting a Trinitarian account of the God present in the creation and reception of such works.
A Natural Theology of the Arts and The Rise and Triumph of the Modern Self
The Rise and Triumph of the Modern SelfA Natural Theology of the Arts

  • Title

    A Natural Theology of the Arts

  • Author

    Anthony Monti

  • Book Format

    Hardback

  • Publisher

    Ashgate Publishing Group

  • Published

    June 2003

  • Edition

    New edition

  • Weight

    531g

  • Page Count

    209

  • Dimensions

    15.6 x 23.4 x 2.3 cm

  • ISBN

    9780754630739

  • ISBN-10

    0754630730

  • Eden Code

    1155966

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