Though the acceptance of popular culture (and in the case of music, pop music) within the Christian church is now an established fact, its very normality across the face of virtually every variety of Christian theological persuasion is telling. In a climate of extreme multi-culturalism, pluralism, and relativism satiated with the notion that music is value-neutral and worldview-free, church music has been cut off from history, tradition, theology, aesthetic norms, and ultimately the Word. The result has been a breakdown of church music standards along with a collateral weakening in other areas of life as well.