Wren's] work is fresh, daring, and suggestive, and at the same time informed, critical, and disciplined. . . . Wren has combined an exceedingly thoughtful theoretical presentation of the linguistic problem and a step-by-step practical walk-through of the issues. . . . It takes a poet, not a clerk, to voice what has been disclosed by God. Wren is such a poet; he invites us to fresh evangelical cadences that will themselves liberate. Theology Today Wren] makes an inventive effort to help cure the disease that is devastating the worship scene. He himself writes extraordinary hymn texts that are 'beyond patriarchy, ' and he hangs them in 'galleries' in his book. . . . He gives us a readable, convincing book centered on the language question but profoundly theological in its implications. National Catholic Reporter A book of tremendous value to liturgists, theologians, members of the newly forming men's liberation movement, clergy and policymakers, and anyone interested in the issue of inclusive God-language, including those who are curious about why it matters in the first place. . . . Part of the value of What Language Shall I Borrow? is Wren's graceful, imaginative presentation of his facts. Although there is ample cognitive input, it is interspersed with moving hymn texts, practical workshop ideas and fascinating narratives. The Presbyterian Outloo