Hoping to mend what Duswood left fractured, Elias Thorn leads Vincent Granger and Mira Thorn west to visit his sister's family in the fog-choked coastal town of Marrowick. Nestled among cliffs and fog, the village feels untouched by time, but something beneath its stillness has begun to stir.

The sea air tastes of salt and decay. The walls of Holt House breathe with unseen life. And Mira's cousin Emily has begun to change. Her eyes glassy, her voice humming in tune with the restless fog that rolls in each night. Within the house, tension festers between the people who love her: her mother Clare's quiet devotion, her brother Ryan's anger, and Elias and Angela's uneasy attempts at reason. Every emotion seems to feed the thing growing within their walls.

Not long into Vincent and Mira's stay, they recognize the same unease that once haunted Duswood. But Marrowick's sickness is older, deeper, and hungrier. What begins as a family unraveling becomes an awakening; the sea, the fog, and the house itself responding to grief and love like fertile soil. A fungal bloom spreads through wood, flesh, and faith alike, drawing the living toward its patient rhythm.

As the town succumbs to a hush that feels alive, Vincent and Mira must uncover what the bloom truly wants before it consumes everything it touches. Because in Marrowick, even love can rot and the things that grow from sorrow never really die.

Set along the gray coast of the Pacific Northwest, Quiet Bloom is the second novel in N. B. Cross's Stonebound Trilogy. Where Hollow Stone explored grief and awakening, Quiet Bloom descends into love's slow corruption, blurring the line between devotion and decay. Lyrical, haunting, and quietly apocalyptic, it continues Cross's vision of small-town horror rooted in memory, faith, and the terrible beauty of what refuses to let go.